January 2010
27 posts
4 tags
A video showing Peter Gregson rehearsing for a demo at the TEI conference at MIT. He is wearing a shirt fitted with custom designed stretch sensors designed by Sarah Kettley and Martha Glazzard. These sensors are sending data to custom software designed by Yann Seznec in Max/MSP which manipulates the sound of the cello in real time.
Copy Shop by Virgil Widrich [2000]
Ken Hollings: Lectures →
1 tag
Post Tool: Variations →
an interface that creates an animation as you play music [by Post Tool Design ]
Motion graphics / micro biology / sounds
http://www.we-make-money-not-art.com/ →
A blog that focuses on the intersection between art, science and social issues.
Jonathan Harris: the Web's secret stories →
We feel fine
We missed it at Decode
digital dandelion by sennep/yoke on Vimeo (via Vimeo)
Panopticon →
We saw that during wenesday lecture :
for a deeper look.
4 tags
Professional Practice talk critique: Jason Bruges
Jason Bruges originally trained and worked as an architect before turning to interaction design. He formed jason bruges studio in 2001 to “create bespoke interactive installations”[i]. His practice can be described as highly interdisciplinary, balancing on a crossover of architecture, art, product design and interaction design. This distinctive feature of Bruges’s work affects the...
If you could collaborate at A foundation
Providing a platform for some of the finest designers and illustrators practising in the world today, If You Could Collaborate is this year’s project by If You Could.
14 - 23 January 2010 A Foundation
Institute of Contemporary Arts : Visual Art : For... →
Interesting exhibition at the ICA finishing on the 31st.
1 tag
visualising malware →
romanian digital media artist visualising malicious software (trojans, worms, viruses and spyware code) as if they were examined under the electron microscope.
5 tags
Visualising poetry [Brief at CSM]:
My interpretation of T.S. Eliots’ “Burnt Norton”. Past, present and future are contained within the same space.
jessika